
Doraiza Expeditions
Travel creator Izadora Moraes, followed by 180k people, wanted a brand to bring foreign travelers to Brazil. It had to work on a billboard, an app and a beach cooler.



I bring brands into everyday life, from the farofa packs I redesigned for Deusa at Bangboo to the Doraiza Expeditions travel brand. I’ve spent 9+ years in agencies and in-house teams designing identities, packaging and campaigns, plus motion graphics and AI video.
A food brand with over 80 years of history · Project at Bangboo
Eight of 30+ identities from my own studio. I work directly with each client, from the first brief to final delivery.

Travel creator Izadora Moraes, followed by 180k people, wanted a brand to bring foreign travelers to Brazil. It had to work on a billboard, an app and a beach cooler.




Casa Groove, a DJ and music production school in Maringá, Brazil, has graduated 50+ students. Its name means “groove house”, so I drew the logo in the shape of a house.




Elevate Barber House wanted to feel premium but still approachable. I gave it an identity without a single barbershop cliché.




Law firms usually lean on scales and gavels. For Naim El Gharib, I built the sense of tradition into his name instead, with letters that stand like classical columns.




Vicentini has remixed Alok, released tracks through Sony Music and passed 3 million streams on Spotify. His logo had to register in a split second, on a flyer, a stage screen or a cap.




Felipe Barud is a sports nutritionist who works with endurance athletes. Look twice at his initials and you’ll find one of them, mid-stride.




Astra means “stars” in Latin. For this cosmetic dentistry practice, I drew a star with the shape of a tooth hidden in it.




Salgados are Brazil’s savory snacks, eaten at the counter or carried out in a paper bag. Poiate Salgados, sister brand of the Iza Poiate Confeitaria pastry shop, needed an identity that works from the shop sign to the sleeve around a hot snack.



I was one of Leve’s two designers and created its onboarding kit, from posters of the company values to the notebooks, tote bags and T-shirts new employees received.




Key visuals for an internet provider’s Wi-Fi 6 and Wi-Fi 7 launches, designed at Bangboo.
Fibercom’s Wi-Fi 6 launch opened with a picture of the router. At Bangboo, I shifted the key visual for the campaign’s next phase to a family at home. Later, I designed the Wi-Fi 7 launch visual.
Five problems from the last nine years, and what I did about each one.
Maxima had no manual, so partners kept asking which colors, fonts and files to use. I built its first brand guide in HTML, with the rules, assets and font downloads in one place. About 20 people used it, and the materials became more consistent.
MaximaFibercom’s Wi-Fi 6 campaign opened with the router itself. At Bangboo, I built the key visual for the next phase around a family using several devices at home. Bangboo reports +43% average transaction value and +18% profit margin for the whole campaign.
BangbooDeusa’s farofa, a toasted cassava flour, kept getting lost among competitors on the shelf. At Bangboo, I redesigned seven packs across the Deusa and Monjolinho brands, with one color per flavor, bigger food photos and stand-up pouches.
BangbooEm Casa Tem needed new packaging for more than 50 products. At Fabrika, I redesigned the whole range while handling eight client accounts.
FabrikaLeve offered payroll loans through employers, so its materials had to make sense to HR teams and employees with no finance background. I turned the product details into presentations and HubSpot emails.
LeveFor Natural One, a large retail franchise in Paraná, Brazil, I used Google Flow to generate images of New Balance sneakers for the store’s social posts.





At Maxima, I generated images and video in Higgsfield, including the AI-assisted motion pieces in the brand guide.
TikTok Shop videos
I create TikTok Shop videos with Gemini Omni Flash, using AI characters who look the same from one video to the next.
I built the admin panels and automation behind an independent TikTok Shop project: a product photo goes in, and vertical videos with a script and caption come out. It took about a week of testing to get right. The AI character kept changing between shots until I switched to one scene per product, and a closed-mouth smile rule fixed the distorted teeth.
I upload the product photo and TikTok Shop link, along with notes for Gemini.
Gemini generates the script and caption from the product details.
Veo generates the vertical video.
The system tracks generation jobs and retries failed requests.
The final panel groups finished videos by day. I can download the video and copy its caption and product details for posting.
I made product videos for Star Point, a surf shop in Maringá, featuring brands such as Hurley, Volcom, Approve and The Saint.








Maxima, an iGaming brand from Grupo Suprema, had no brand manual. I built its first one, an interactive HTML guide used by about 20 people, while producing around 200 designs a month for its digital channels.










I produced around 200 designs a month for Maxima’s digital channels and built its first brand guide, an interactive HTML manual used by about 20 people.
I developed brand identities and icon sets at Dzigna, alongside storyboards and AI-assisted mockups.
I handled 10 accounts at Bangboo, from Deusa and Fibercom to three shopping malls, with seasonal campaigns running side by side. I also signed off on the team’s final work and mentored two junior designers.
I was the only visual designer at Trinca, a tech consultancy of about 100 people whose clients include iFood and Akad Seguros. I designed internal communications, employer branding, event and onboarding materials.
I was one of two designers at Leve, a fintech with around 80 employees. I created the complete print and digital onboarding kit, plus presentations and HubSpot emails.
I led branding and campaigns for eight accounts at once and redesigned the packaging for 50+ Em Casa Tem products.
E-commerce and social media design, plus product photography and retouching. At Ui! Gafas, an online eyewear store, I was the only designer, so email and motion were mine too.
My own studio. I’ve designed 30+ identities from scratch for lawyers, dentists, nutritionists, musicians, barbershops and food brands, and I handle every stage with the client, from brief to final files.
Brand identity and guidelines, campaigns, paid ads, packaging, editorial design, presentations, icons, motion graphics, web assets
Figma, Illustrator, Photoshop, InDesign, After Effects, Premiere Pro, Lightroom, Framer, HubSpot, Ableton Live
Higgsfield, Veo 3.1, Gemini, Nano Banana, Seedance, Kling, Wan, Firefly, ComfyUI, Claude, ChatGPT
I produce electronic music in Ableton Live, gave a one-hour talk on sound branding and included a brand sound section in Maxima’s guide.
Visual Identity Design, Marcelo Kimura (ID Class); Branding & Strategy Workshop, Ana Couto; Design & Motion Strategy, Lucas Rosa (Primeira Classe).

Hi, I’m Matheus. I’m looking for a remote senior design role with an international team, and I can start right away.
© Matheus Mantovan · Maringá, Brazil · UTC−3












Leve (acquired by Neon) offered payroll loans through employers’ HR departments. It had about 80 employees and two designers for all of its visual materials, from presentations to HubSpot emails. I was one of them, and I owned the onboarding kit, in print and digital.
The kit had to introduce Leve’s values, and they were direct. Two of them: “Somos sinceros e abraçamos o conflito” (We’re honest and we embrace conflict) and “Jogamos na primeira divisão” (We play in the big leagues).
I drew a symbol for each value. On the posters, each statement sits next to its symbol. On notebooks, tote bags and T-shirts, the symbols repeat as a pattern, so even the pieces without text point back to the values. The same pattern runs on tablet and laptop screens.
Bottles, bookmarks and stickers rounded out the kit. It’s still the project I’m proudest of, because I got to see people using it.

Fibercom is a fiber internet provider in Maringá, Brazil, and one of the accounts I handled at Bangboo. I came in for the next phase of its Wi-Fi 6 launch, evolving the key visual and designing the campaign materials built on it. Later, I created the key visual for the Wi-Fi 7 launch.
The campaign had opened with a router on a background of hexagons and the line “Wi-Fi 6 Fibercom é a internet ideal” (Fibercom Wi-Fi 6 is the ideal internet). That explained the product, but the next phase was about a house where everyone is online at once, and a router on its own couldn’t show that.
I replaced it with a family on the couch, each person on a different device, linked by trails of light. The headline became “Sua casa toda conectada com Wi-Fi 6” (Your whole home connected with Wi-Fi 6). For Wi-Fi 7, the line was “A internet que chegou antes do futuro” (The internet that arrived before the future), so I gave it an astronaut.
Bangboo reports that the Wi-Fi 6 launch campaign raised average transaction value by 43% and profit margin by 18%. Those numbers cover the whole campaign; my part was the key visual and materials for its next phase.



Deusa Alimentos has made cassava flour in Garça, São Paulo, since 1944. It has around 200 employees, sells in six Brazilian states and exports to Japan, Portugal and the United States. At Bangboo, I redesigned its farofa range (toasted cassava flour, a staple on Brazilian tables): seven packs across Deusa and its second brand, Monjolinho.
The old packs were getting lost among competitors on the shelf. The logo, flavor name and food photo fought for the same space, so shoppers had to stop and read to find the one they wanted. The redesign had to fix that without losing 80 years of brand recognition.
I gave the logo its own band at the top, so Deusa is the first thing you see. Below it, each flavor name is set large, with its own color and a bigger photo of the food. The burlap band and the typeface repeat on every pack and hold the range together. For the 200g line I chose stand-up pouches, which stay upright while most farofa packs lie flat.
The result is one system across two brands and two formats, part of Bangboo’s repositioning for Deusa’s 80th anniversary. Below: the 400g packs, before and after.


Maxima is an iGaming brand from Grupo Suprema. As its in-house senior graphic designer, I produced around 200 designs a month, plus format variations, across social posts, homepage banners, CRM and motion.
The brand had an approved logo, colors and fonts, but no manual. Partners kept asking which colors and files to use, and each one applied the brand differently. Betting ads in Brazil also follow federal rules, down to the size of the government warning, so mistakes were a legal problem too.
I built the guide in HTML so the rules and the files would live in one place: you read about a font and download it right there. The don’ts were essential, so I showed them in static layouts and in video. Eleven sections run from logo and color to motion, brand sound and tone of voice, and the section on betting-ad rules has a downloadable footer for each format. It ends with a pre-publish checklist that even covers banned sound effects, like coins and jackpots.
About 20 people used it, across the internal team, partners and service providers, and materials became more consistent, especially in font use.








Izadora Moraes is a travel creator with around 180,000 followers on Instagram. Her company takes Brazilians on group trips at home and abroad, 25 on the current calendar, from Jalapão and the Lençóis Maranhenses to Iceland. Doraiza Expeditions flips the direction: an international brand made to bring foreign travelers to Brazil.
For someone abroad, the brand had two jobs: make Brazil look worth the flight, and make a group trip with a creator feel safe and well organized. It also had to work on everything the trip touches, from a billboard and an app to a cooler on the beach.
I left the postcard landmarks out, because a landmark ties a brand to one city. At first glance the symbol is a simple D. Look a little longer and a Brazilian landscape appears inside it, the kind of place her trips go. The greens, ivory and yellow of the palette come from the same scenery. The type handles the trust part: Kommon Grotesk Extended, wide and easy to read, with EXPEDITIONS in widely spaced capitals so the lockup reads as international.
I also designed the campaign, built around the line “We don’t sell tours, we create experiences”. The identity runs on a billboard, the website and app, uniforms, caps, tote bags, bottles and coolers.












Casa Groove teaches DJing, mixing and music production in Maringá, Brazil, and more than 50 students have graduated since it opened.
Most electronic music brands look dark and technical, built around the gear. Casa Groove went the other way. I summed up the concept in three lines: fluid like music, comfortable like a home, free like an artist.
So I drew the lettering by hand and let it move. The letters bend and lean, but together they form the outline of a house, no roof or door needed. Terracotta leads the palette, with sand, cream and black. Everett sets the main text and Simplon Mono the labels and course material.
The system runs from the storefront sign, Instagram, T-shirts and caps to the classroom: course slides, handouts and a production notebook. One of the posts sums it up: “A gente faz barulho, mas é pra se sentir em casa” (We make noise, but we want you to feel at home).










At Elevate Barber House, each cut starts with a conversation about how the client wants to look.
The shop’s tagline set the brief: “Acima do comum, perto de você” (Above the ordinary, close to you). The brand had to feel premium without feeling distant, and it couldn’t look like every other barbershop, all black, vintage signs and razors.
I swapped the usual black for deep wine red and cream. The name is set in thin, widely spaced capitals with small, exact cuts in the letters, because precision is what the shop sells. The symbol is a round seal with rays circling a small star. Since it’s self-contained, it can be stamped, embroidered or pressed into leather.
You’ll find it on the wall sign, polos, button-down shirts, aprons, leather keyrings and the price list for the shop’s subscription plans.




Naim El Gharib is a lawyer who wanted his practice to look solid and formal, with his own name at the center of the brand.
Scales and gavels say “law firm” and nothing about the lawyer. The sense of tradition had to come from the name itself.
I drew the letters on narrow vertical modules and kept the proportions strict, so they stand in a row like courthouse columns. The symbol follows the same rhythm and doubles as a working seal: it goes on his rubber stamp and, in gold foil, on a leather notebook. Deep blue and gold run through everything.
The same system goes on his business cards and office mugs.




Vicentini is a DJ, producer and mixing engineer who blends house and tech house. Two of his remixes of Alok tracks, made with Dropack, have been in Alok’s live sets. “Just My Type” and “Enjoy The Moment” came out on Sony Music, and his music has passed 3 million streams on Spotify, with 42,000 monthly listeners.
A DJ’s logo gets a second or two: a flyer scrolling past, the screen behind the booth, a cap in the crowd. It had to be recognizable at that speed, with or without the name next to it.
I built the V monogram from a solid block that breaks into curves, like a waveform on a producer’s screen. It works alone where the name won’t fit, like merch or a profile picture. The name is set in heavy condensed capitals that stay readable small and from far away.
It’s on his business cards, caps, tote bags and the promo for the “Enjoy The Moment” music video.



Felipe Barud builds nutrition plans for endurance athletes, combining sports science with practical advice.
His brand had to look technical enough for athletes to trust and simple enough to keep the advice easy to follow.
I joined his initials into a runner leaning forward, so the monogram tells you who he works with before you read his name. I drew it on a grid of circles to match the type’s rounded ends. Everything around it stays restrained: Bw Seido Round, a geometric sans, dark greens and near-black, with lime as the one bright color. The outline of the monogram repeats as a pattern on folders and screens.
The set covers business cards, letterhead, a folder, a phone screen, T-shirts, caps and tote bags.









Astra is a cosmetic dentistry practice. It sells the result more than the procedure: what a new smile does for the way people see themselves.
The brand had to feel trustworthy without feeling cold, and sit closer to beauty and personal care than to the usual dental office.
The symbol starts from a star, which fits both the name and a bright new smile. On a second look, the top of a tooth shows up in its shape, so it reads as dental without a literal tooth icon. A soft, rounded frame balances the precise geometry and lets the symbol hold up at avatar size. For type, Gadeira sets the logo and headlines and Manrope the body copy, over a palette of ivory, dark slate and gold.
It runs on Instagram posts, letterhead, uniforms, packaging and a billboard that reads “A sutileza que transforma como você se vê” (The subtlety that changes how you see yourself).






Poiate Salgados is the savory side of Iza Poiate Confeitaria, a cake and pastry shop: same family name, different food.
The two brands had to read as one family without looking alike. And because this is takeaway food, people meet the brand on the packaging: a paper sleeve, a box, a bag carried down the street.
Both brands share the same POIATE lettering, so the family link shows at a glance. Everything else changes: red, cream and orange instead of the pastry shop’s pink, and a single orange drop shape as the symbol. With just the lettering, three colors and one symbol, the system is easy to repeat on a paper sleeve or a kraft bag and still holds up on the shop sign. The tagline, “Feito com cuidado, servido com amor” (Made with care, served with love), runs along the side of the box, so it goes out with every order.
Aprons and the shop sign complete the set.









