
Doraiza Expeditions
Travel creator Izadora Moraes, followed by 180k people, wanted a brand to bring foreign travelers to Brazil. It had to work on a billboard, an app and a beach cooler.



I bring brands into everyday life, from Deusa’s packaging, designed at Bangboo, to Doraiza’s travel materials. I’m a Senior Brand & Visual Designer with 9+ years in agencies and in-house teams. I design identities and campaigns, and make motion graphics and AI video.
A food brand with over 80 years of history · Project at Bangboo
Eight identities from my independent practice. I developed each one from the initial brief to its applications.

Travel creator Izadora Moraes, followed by 180k people, wanted a brand to bring foreign travelers to Brazil. It had to work on a billboard, an app and a beach cooler.




Casa Groove is a music school in Maringá. The name gave me the idea for the logo: a house drawn into the letters. I also developed the symbol and typography system.




Deep wine red, heavy lettering and plenty of space around it. That’s the identity I designed for Elevate Barber House, including its logo and seal.




Naim El Gharib needed an identity for his law practice. I made his name the main element, with lettering based on classical columns.




Vicentini has remixed Alok, released with Sony Music and reached 3 million Spotify streams. He needed an identity as sharp as his sets.




Felipe Barud works with endurance athletes. I kept his identity simple so the nutrition information would remain the focus.




A star and a tooth in the same symbol. I designed Astra’s identity for an aesthetic dentistry practice.




Poiate Salgados is associated with Iza Poiate Confeitaria. I developed the snack brand’s identity through Manto Studio, with applications for the shop and takeaway packaging.



I was one of two designers responsible for Leve’s visual materials, including the complete onboarding kit.




Key visuals for an internet provider’s Wi-Fi 6 and Wi-Fi 7 launches, designed at Bangboo.
At Bangboo, I designed pieces for the continuation of Fibercom’s Wi-Fi 6 launch campaign, moving the visual from the router itself to a family connected at home. Later, I created the visual for the Wi-Fi 7 launch.
Projects from the last nine years. Here’s what each project needed and how I approached it.
Maxima’s partners were applying the brand differently. I brought rules, assets and font downloads into its first interactive brand guide. Around 20 people used it, and materials became more consistent.
MaximaFibercom’s first Wi-Fi 6 visual focused on the router. At Bangboo, I used a connected family for the campaign’s continuation to show the benefit at home. Bangboo reports +43% average transaction value and +18% profit margin for the campaign.
BangbooDeusa’s farofa packs had little shelf presence. At Bangboo, I redesigned seven packs across the Deusa and Monjolinho brands, using flavor-specific colors and imagery.
BangbooEm Casa Tem needed new packaging for more than 50 products. At Fabrika, I applied the redesign across the range while handling eight client accounts.
FabrikaLeve needed to explain financial products to people outside finance. I translated the information into presentations and HubSpot emails.
LeveFor Natural One, a retail franchise in Paraná, I used Google Flow to generate images of New Balance sneakers for the store's social posts.





At Maxima, I used Higgsfield to generate images and video. My work included AI-assisted motion pieces for the interactive brand guide.
TikTok Shop videos
I create TikTok Shop videos with Gemini Omni Flash, using AI-generated characters with a consistent appearance.
I built the admin panels and automation for an independent TikTok Shop project. The system takes a product photo through to a finished vertical video with a script and caption.
I upload the product photo and TikTok Shop link, along with notes for Gemini.
Gemini generates the script and caption from the product details.
Veo generates the vertical video.
The system tracks generation jobs and retries failed requests.
The final panel groups finished videos by day. I can download the video and copy its caption and product details for posting.
I made product videos for Star Point, a surf shop in Maringá, featuring brands such as Hurley, Volcom, Approve and The Saint.








I produced around 200 designs per month, plus adaptations, for Maxima’s digital channels.










I produced around 200 designs per month and built Maxima’s first interactive brand guide in HTML, including brand sound. Around 20 people used it.
I developed brand identities and icon sets at Dzigna, alongside storyboards and AI-assisted mockups.
I designed for 10 accounts at Bangboo, including simultaneous seasonal campaigns. I reviewed and approved final work and mentored two junior designers.
As the only visual designer, I created materials for internal communications, employer branding, events and onboarding.
I was one of two designers at Leve, a fintech with around 80 employees. I created the complete print and digital onboarding kit, plus presentations and HubSpot emails.
I led branding and campaigns for eight accounts at once and redesigned the packaging for 50+ Em Casa Tem products.
I designed e-commerce and social media content, with work in product photography and retouching. At Ui! Gafas, I was the only designer and also produced email content and motion graphics.
Through Manto Studio, I’ve created 30+ visual identities from scratch. I handle the client relationship and every stage of the design work, from the brief to final delivery.
Brand identity and guidelines, campaigns, paid ads, packaging, editorial design, presentations, icons, motion graphics, web assets
Figma, Illustrator, Photoshop, InDesign, After Effects, Premiere Pro, Lightroom, Framer, HubSpot, Ableton Live
Higgsfield, Veo 3.1, Gemini, Nano Banana, Seedance, Kling, Wan, Firefly, ComfyUI, Claude, ChatGPT
Alongside motion design, I produce electronic music in Ableton Live and have given a one-hour talk on sound branding.
Visual Identity Design, Marcelo Kimura (ID Class); Branding & Strategy Workshop, Ana Couto; Design & Motion Strategy, Lucas Rosa (Primeira Classe).

Hi, I’m Matheus. I’m looking for a remote senior design role with an international team.
© Matheus Mantovan · Maringá, Brazil · UTC−3












Leve (acquired by Neon) was a payroll lending fintech with around 80 employees. As one of two designers responsible for its visual materials, I designed the complete onboarding kit, in print and digital formats.
The kit had to introduce more than the company name. Leve had values such as “Somos um time” (We are a team) and “Somos sinceros e abraçamos o conflito” (We are honest and embrace conflict). These became part of the materials employees would receive.
I used illustrations of those values throughout the kit. On the posters, the statements appear with their symbols, giving the values a place in the office as well as in the onboarding materials.
The illustrated pattern repeats on items such as notebooks and tote bags. That repetition connects the pieces, even when the format changes from something worn to something used at a desk.
A complete kit with shirts, tote bags and bottles, plus notebooks, bookmarks, stickers and posters. The presentation also shows the identity applied to tablet and laptop screens.

At Bangboo, I designed materials for the next phase of Fibercom’s Wi-Fi 6 launch campaign and developed its key visual further. I also created the key visual for the provider’s Wi-Fi 7 launch.
The Wi-Fi 6 campaign started with a router against a background of hexagons. The next phase focused on a home with several connected devices. The visual needed to show those devices in use.
I replaced the router-led composition with a family using connected devices, linked by trails of light. The image supports “Sua casa toda conectada com Wi-Fi 6” (Your whole home connected with Wi-Fi 6), putting the benefit in a situation people recognize.
For Wi-Fi 7, I paired an astronaut with the line “A internet que chegou antes do futuro” (The internet that arrived before the future).
The Wi-Fi 6 launch campaign increased average transaction value by 43% and profit margin by 18%, according to Bangboo. I worked on the visuals for the next phase of the Wi-Fi 6 campaign.



At Bangboo, I redesigned the Deusa farofa range: seven packs across two brands, Deusa and its second label Monjolinho, in 200g pouches and 400g bags. Deusa has been making cassava flour since 1944 and sells in six Brazilian states, Japan, Portugal and the United States.
The old packs were getting lost on the shelf. The logo, flavor name and food photo all competed for the same space, so shoppers had to stop and read to find the one they wanted. The redesign had to fix that without losing 80 years of brand recognition.
I gave the Deusa logo its own band at the top, so the brand is the first thing you see. Below it, the flavor name is set large, and each flavor gets its own color and a bigger food photo with more white space.
The burlap band and the typeface repeat across every pack, which keeps the range together as one family. For the 200g line, I used stand-up pouches that stay upright on the shelf.
Seven packs, two brands, two formats and one consistent system, part of Bangboo’s repositioning of Deusa for its 80th anniversary. Below: before and after of the three 400g packs.


I handled graphic design across Maxima’s digital channels, producing around 200 designs a month, plus adaptations. Maxima is an iGaming brand from Grupo Suprema. Alongside the daily work, I created its first interactive brand guide.
Partners kept asking which colors, fonts and assets to use. There was no manual to refer to, and each person applied the brand differently.
I put the rules and assets together in an HTML guide. Someone checking a font could download it there, without moving between a PDF and a folder of files. Examples showed how not to use the brand in static layouts and video.
The guide also covers motion and brand sound, so it goes beyond static layouts. Betting-advertising rules have their own section, with the required footer and restrictions on what the brand can say.
An interactive brand guide with 11 sections and a checklist, used by around 20 people across the internal team, partners and service providers. Materials became more consistent, including the use of the correct brand fonts.








Scope: visual identity, from brief to final files · Manto Studio
Travel creator Izadora Moraes has around 180,000 followers on Instagram and organizes group trips around the world. I created the identity for her international brand, which brings foreign travelers to Brazil.
A billboard introduces the trip. Bottles and coolers are used during the trip. The project needed an identity for both the promotion and the travel kit.
The palette combines deep and tropical greens with warm ivory and yellow. I used a subtle landscape reference in the symbol to connect the brand to Brazil.
I set the name in Kommon Grotesk Extended and spaced out EXPEDITIONS beneath it. I applied the identity to the website and app, as well as the campaign and travel items.
Symbol, wordmark and campaign, with applications from the website to uniforms, caps, tote bags, bottles and coolers.












Scope: visual identity, from brief to final files · Manto Studio
Casa Groove is a music and DJ school in Maringá, with more than 50 graduates since opening.
The school needed a welcoming identity that would work in print and online.
I adjusted the wordmark’s proportions and spacing by hand, then used the same shapes to draw the symbol. I paired the lettering with terracotta and other earthy colors.
Logo, symbol and typography system, applied to signage and stationery, including a music production notebook.










Scope: visual identity, from brief to final files · Manto Studio
The barbershop starts by understanding how each client wants to look. I kept the language conversational to reflect that approach. In the layouts, I left space around the heavy lettering so it wouldn’t feel crowded.




Scope: visual identity, from brief to final files · Manto Studio
The repeated vertical shapes and consistent proportions give the lettering a formal appearance. I used deep blue and gold on the stationery. The symbol doubles as a seal.




Scope: visual identity, from brief to final files · Manto Studio
Vicentini is a House and Tech House DJ, producer and mixing engineer. Alok has played his two remixes live, and he has released tracks with Antdot and Meca, some through Sony Music. He has over 3 million streams and 42,000 monthly listeners on Spotify.
I drew a monogram with sharp cuts that turn into curves, close to the shape of a sound wave, and paired it with heavy lettering. It needed to read at a glance on a flyer, a stage screen or a cap.
Monogram, wordmark and applications for promotional materials and merchandise.



Scope: visual identity, from brief to final files · Manto Studio
Felipe combines sports science with practical advice. I used geometric sans-serif type and a neutral palette for his materials. You can see the treatment on the business card and phone screen below.









Scope: visual identity, from brief to final files · Manto Studio
The star stands out first; the tooth appears on a closer look. It’s a reference to the change in a patient’s smile. Rounded contours soften the drawing.






Scope: visual identity, from brief to final files · Manto Studio
I created the visual identity for Poiate Salgados through Manto Studio. The savory-snack brand is connected to Iza Poiate Confeitaria, and the project extended from its storefront to the packaging used to serve the food.
“Feito com cuidado, servido com amor” (Made with care, served with love) is the brand’s tagline.
I applied the identity to boxes, paper wraps and bags, as well as the storefront and apron.
A visual identity with applications for the storefront, packaging and workwear.









